I am healthy, well-tended, and have nothing to complain about here on the glossy, white windowsill, with nourishing light and space to unfurl my leaves. I am fed and watered by a loving hand, as if the owner of that hand believes that looking after a Peace Lily will bring peace into her home, not to mention the rest of the world on the other side of the glass.
I was just one plant, but when I grew too big for my pot earlier this year, she split my roots, and now we are five siblings, all with our own windows: three in this house, and the other two infusing her friends’ homes with their aura of tranquility.
We are not like people. They need to move around, with their legs and cars. Our roots keep us firmly attached to the earth beneath us so that we merge with that place and become a part of it. Why would we want to move elsewhere when there is so much to be seen and felt here already? The family comes and goes. I hear their conversations, share their rejoicing, and commiserate in their sadness. I watch the children playing, listen to the adults reasoning, and see the changing seasons indoors and out – the shifting shapes and colours of trees and flowers, the peoples’ clothes that adapt to suit the temperature, the striped arches of rainbows in the sky, and the alternating sun and moon. Christmas trees and candles brighten the dark winter months, while summer days are quiet in the house, as everyone goes out to enjoy the warm weather, and afterwards they all come home bringing the sunshine with them in their smiles. Cars glide one way and the other on the road outside, taking people here and there, to work, adventures, and everywhere else. From time to time, they would do well to stop and be still for a while, watching and listening. They could learn so much.
Every few weeks, I send up a flower – a pure white sail on a tall, green mast, with a cream-powdered beacon in the centre. The bloom shines its peace-light into the room and out of the window. Each time, I can see the delight in her eyes, as if it is unexpected, and she hadn’t realised I could produce another one. She seems genuinely honoured and awed by its presence in her home. And that makes the effort worthwhile. From time to time she strokes my long, smooth-ridged leaves as she gazes out of the window, lost in thought, and I wonder what she is thinking about.
After a few weeks, the peace-white turns to living-green and I busy myself with preparing a new stem for my next masterpiece.
I wish she would talk to me, though. I love the feel of her eyes on my leaves, and the companionship as she reads, draws, or sews in the chair beside me is precious. I hear the children reading their school books and practising their music, and I sense that I am part of the family. But I yearn for the vibrations of her voice, and long for her to tell me her secrets, showing me what her spirit holds. What is behind the flickering, ever-changing expressions which sweep across her face? Why does the mouth curl into smiles, and from which spring do the tears trickle down her cheeks?
One morning, she sits on the chair by the window in the sunlight, a pad of paper on her lap, and begins to draw me. She is calm, but I sense a hint of tension in her distracted concentration. The pencil moves carefully around the page, its lines deliberate yet restrained, despite the air of urgency which now permeates the room, setting my roots on edge. Then she moves to the table at the other end of the room and starts to paint. Each gentle stroke of the brush is a gesture of profound love, and her picture is not only an image with colours and water, but an outpouring of something from deep within her soul.
The next day, she does not come. Nor the next. The others are still here, but their faces are grey and lined. There is no sparkle in their voices, and their movements are minimal and heavy. The sun and moon exchange places again and again, and still she is not there. My soil is watered from time to time, but I am thirsty. A living thing needs more than water. I try to keep myself occupied by fashioning a new flower, but I just cannot make it happen. Something is lacking, and without it, creation cannot occur. The green of my leaves fades to a sickly brown and I struggle to hold them up to embrace the light.
Someone has hung the painting on the wall above her chair. The silver frame reflects the sun’s rays from the east, splitting them into smaller beams which slice through the shadowy air in the room. A white flower rises up from a crowd of verdant foliage against an azure background, every leaf painted differently with its own shade and pattern of veins, as a unique part of the same whole.
Resting in the bottom corner, is a single dried, fallen leaf. On its curled tip, a round, watery smudge blurs the edge of the image. A tear, preserved forever in paint. It is then that I realise – she has spoken to me at last.